August 24th Soul Spectrum Radio Show

Or, download the whole show here.

August 17th Soul Spectrum Radio Show with special guest: DJ Sureshot

Shane Hunt aka DJ Sureshot graced The Soul Spectrum with his presence on today's show, playing some cuts from his new Good Look EP. Sureshot talks a bit about what it takes putting out your own record DIY-style, but that's not to say this release looks or sounds like your stereotypical DIY project. Freddy Anzures of Props pitches in on the visual design and DJ Sureshot's production rivals anything else out there today on the hip-hop beat-making side as well as the nu-funk production that seems to be thriving these days.

One thing that he said that I thought was interesting was Sureshot's approach to beat-making, blurring the lines between Hip-Hop, Psych and Funk, "To me it doesn't matter what genre it is, I'm still gonna approach every song in the same way."

Buy the EP on iTunes
Buy the EP on Amazon

You can get "Mr. Fortune & Fame" his first single from the EP featuring Mighty Pope on Dustygroove.



Listen to the entire hour-long radio show here:

You can download the show here.

August 10th Soul Spectrum Radio Show

You can download the show here

August 3rd Soul Spectrum Radio Show

You can download the show here.

Takin' it to the Air Waves: Soul Spectrum is now on KZSU Radio

Apologies for my absence. I knew that as soon as I had a baby something would lose out on the zero-sum game that is my life and it turns out the unlucky extracurricular that got the axe was the blog. But, as life changes and evolves, new opportunities emerge . . .

My day job at Stanford University has facilitated my entry into the world of college/independent radio at KZSU 90.1 FM Stanford. Starting earlier this summer I scored a regular radio spot for my show "Soul Spectrum". Currently, the show is on Wednesdays from Noon-1pm PST and if it ever changes time slots, I'll be sure to update you here.

Starting right about now I'm going to post my radio shows to the blog so that you can check them out and hear what's been floating my musical ark as of lately. If you're in the Bay Area, you might be able to get our signal at 90.1 FM or you can always stream the show live using this link.

With that, here's the last show I did with special guest DJ Ricky Pang from July 20th.

You can see the playlist for this and all of my shows here.



Or download the show here.

Alma Doce: Brasilian Sweet Soul Mix

You can download the whole mix at 320 kbps here.

Tracklist:
1. Baby - Quinteto Ternura
2. Vida Antiga - Erasmo Carlos
3. Gostava Tanto de Voce - Tim Maia
4. Primavera - Trio Esperanca
5. O Vale - Cassiano
6. Nem Quero, Nem Saber - Claudia (cover of English song "I Don't Care" by Tim Maia)
7. Salve Linda Cancao Sem Esperanca - Luiz Melodia
8. Shadows Dark and Blue - Terry Winter
9. California Soul - Tamba 4 (promo only)
10. Sentimento - Tim Maia (his first single from '68)
11. Viu, Menina - Tony e Frankye
12. Estrela D'Alva - Socrates
13. Na Rua, Na Chuva, Na Fazenda - Golden Boys
14. Como? - Paulo Diniz
15. Depois Da Queda (Tema De Flor) - Roberto Menescal (edit)
16. Baby de Tal - Ronnie Von
17. Azul da Cor do Mar - Tim Maia
18. Quando Vejo o Sol - Os Incriveis
19. As Dores do Mundo - Hyldon
20. Feel Like Making Love - Anna Mazotti
21. Just For You - Gerson King Combo
22. Linha do Horizonte - Azimuth

Did Celebrity Kill the Harmony Group?

I'm not saying that I miss the Back Street Boys, 'NSYNC or any of those Boyz II Men wannabe groups, but seriously, who out there in the popular music world is really championing harmony vocals? The genesis of this question came from a conversation with harmony vocal authority (but not himself a practitioner) Andy Noble, aka the vision behind Kings Go Forth. I interviewed Andy back in March while out at SxSW for a Wax Poetics profile coming out in the next issue (#42). We had a nice long talk (according to Andy, his 2nd best interview since becoming semi-famous with the breakout of KGF - I woulda liked to sit in on the #1 interview) about Kings Go Forth, the genesis of the band and its clear focus on harmony vocals and the use of arrangements in soul music, both of which Andy pointed out, are dying traditions.

Andy reminded me that harmony vocals groups were active until very recently (think: Jodeci, En Vogue, Tony Tone Toni, Boys II Men, etc) and that even as the sweet sounding R&B vocals faded out, the rise of the Hip-Hop posse and their vocal camaraderie seemed to momentarily fill its place. But who was to blame? Why weren't these voices coming together to create something larger than the sum of their parts still getting play on the radio, the TV or in the hearts and minds of young musically-inclined youth? We both pondered who the culprit of this harmonic genocide could have been . . . Without thinking too long we both came to the conclusion that, surprise, THE MUSIC INDUSTRY, was mostly likely to blame. Kids growing up in tough neighborhoods with few opportunities to succeed will naturally look to those in their communities who have succeeded and model themselves in their hero's fashion, be they community leaders, business owners, religious leaders, drug dealers or rappers/DJs. If a record label has the option of putting out one record choosing from either: (A) fantastic-sounding four piece vocal harmony group, or (B) super charismatic female vocalist with a pretty face and the rest of the usual assets - which one represents a more sure chance at fame and money? The celebrity factor dominates.

How do you market a vocal group in today's celebrity culture? Label execs, celebrity tabloids and everyone else wants to pick the group apart to find the "star" because, sadly, the performers aren't really about the performance anymore, they're about the look, the style, and the accessories of celebrity: clothes, sex, drugs, etc. It's strange to know that even with a group like Kings Go Forth this is happening, where there's real pressure for the vintage-era vocalist "Black Wolf" to become the "leader", the charismatic band representative despite Andy's best intentions to present the group as just that, a group.

I also blame that new-fangled television with its moving pictures that lets you know in no uncertain terms that no matter how sweet the Spinners sounded, they didn't look so sweet. Sure, they could lose the moth-print jackets, but let's not kid ourselves, there's no "star" in the group. But is music for listening or watching? For old-timers and honorary old-timers, like myself, it's for listening, but I don't think anyone under 30 would agree and with that we mourn the loss of ugly dudes singing sweetly. R.I.P.

But before we go, let me share my favorite new discovery in the Vocal Soul Harmony tradition: The Younghearts! These guys rule with their dynamic arrangements, killer voices and memorable hooks. I first snagged this fantastic two-sided 45 with "Oo La We" and "Change of Mind" a couple months back and then a couple weeks ago found, what I believe to be, their first LP "Do You Have the Time?". They reminded me a lot of Kings Go Forth and the great combination of unusual song structures/arrangements with heavenly harmonies. I'm sure if Andy were here right now, he could recite their curriculum vitae and give you a top ten . . .

The Young Hearts - Oo La We
I love any soul song with acoustic guitars and this weird song just works its way into your brain and heart, making one want to remark to complete strangers: "Oo La We!"
The Young Hearts - Change of Mind
Another fantastic arrangement with more of a funk or rock feel.

The Young Hearts - I'm Still Gonna Need You
You can't be a vocal group and not have a fair share of slow jams. Historically, that's where vocal groups really excelled and this is no exception. I believe this was the main single from this album.


The Younghearts - Do You Have the Time? (S.K.A.T.T.)
Speaking of Hip-Hop posses, this track is the equivalent of a golden-era hip-hop skit . . . a short and sweet playful studio goof, but unlike most skits this little throw-away rehash of the 6-minute title track is pure fire. Makes me wanna be an old school radio jock just "rapping" about the weather and shit over this funky groove.

Say "Prisencolinensinainciusol" Five Times Fast

I think this fine tune was the first victory for my iphone eBay application. As my buddy Atsushi as my witness, this 45 was won while enjoying happy hour at the Argus. Thanks to Klaudia and Brigham for putting this tune (& video) in my headlights. This tune is just one of the strangest specimens of global pop culture. As the story goes Adriano Celentano is something like Italy's Elvis with a similar two-pronged music and film approach. He was also a skilled gyrator of the hula hoop.

This song was written and performed with his wife, Claudia Mori an actress turned record producer. Adriano suggests that the song is about "incommunicability" and to drive this point home they crafted lyrics that sound like English, but rarely make any sense beyond a couple linked words. Check out the video below that attempts to transcribe the lyrics:


The song is clearly bizarre, but the relentless beat, boomeranging horn stabs and growling guitars make it a freaky dancefloor classic. On top of that, the TV production looks like it was Fellini's attempt to choreograph and direct a classic 50s Elvis movie dance number. There might only be like 12 dancers, but thanks to the well positioned mirrors, it might as well be a google plus 1. The original version is from an Italian TV show. The actual song starts 1:15 in to the clip. If you want to watch it without the subtitles, here ya go:


Being an Italian pop star, naturally Adriano had to do a house remix.

Adriano Celentano - Prisencolinensinainciusol
Here's the original 45 version. The flip is called "Disc Jockey" and is basically the same song, utilizing that same fantastic crunching beat set against horn stabs and snarling guitars.



Adriano Celentano - Prisencolinensinainciusol (GW Ruff Edit)
And this is a great extended, re-edited and re-imagined version by legendary UK DJ Greg Wilson.

Free Pass #2: Ned Doheny

It's been a long time coming getting back to this "reoccurring series", but let me assure you it's well worth the wait. For those of you who aren't familiar with the concept, there exists a cadre of caucasian-persuasion musicians that Stevie Wonder might inaccurately refer to as his soul brother or sister. In other words, they pass for Black sonically. They also qualify if they're known to be White, but are nonetheless adored by the darker than blue demographic. Some examples: Phil Collins or Average White Band. Actually, tt was thanks to those pale Scottish soul-ders that I learned of Soul Spectrum's second ever Free Pass recipient.
Ned Doheny's 62nd birthday was just a few days ago (March 26th) as I found out just now doing some research. He was born on Doheny Drive in Beverly Hills, CA the grandson of oil tycoon Edward L. Doheny. Like many children of privilege of the time, Ned became a hippie. A Laurel Canyon hippie, to be exact. Ned was part of the extended Asylum records/David Geffen family as you can see from the photo above (from left to right: Jackson Browne, Joni Mitchell, Cass Elliot, David Geffen & Ned Doheny: Venice, California, Easter Sunday, 1972)

As you can see from the photo, David & Ned were close. David's recently minted Asylum Records signed Ned as the very first artist and Ned's self-titled LP came out in 1973. I haven't heard that one yet, but I understand its more in that Laurel Canyon hippie-country style (this blog sure seems to like that kinda stuff). And finally, we get back to the Average White Band story . . . so Hamish Stuart, the falsetto crooning AWB songwriter and multi-instrumentalist is out in L.A. and starts writing songs with Ned. Ned's next album on CBS from 1976 featured the quiet storm classic "A Love of Your Own" which Average White Band also recorded. Ned recorded a follow-up for CBS in 1977, but the label only released the album, "Prone" in Japan in 1979. The single from that album, "To Prove My Love", was released more widely on 12" and 7" formats. A friend recently told me that the legendary DJ David Mancuso of "The Loft" parties played the 12" at the 40th anniversary of the "Love Saves the Day" party.

Ned Doheny - Give it Up for Love
Ned Doheny - A Love of Your Own
Ned Doheny - I've Got Your Number








Ned Doheny - To Prove My Love

Digging in Brazil, Part 2: Samba da Preguiça Mix

The Ambassador - Samba da Preguiça Mix, January 2010
New mix from The Ambassador. All selections original and recently acquired by yours truly on my most recent trip to Brazil. Of particular note are the live-in-studio spots from Vinicius & Erasmo at the beginning and Paulinho da Viola at the end. This one and the Zeca do Trombone e Roberto Sax are the only records with more than one track featured. Enjoy!

Digging in Brazil, Part 1

A little over a week ago I got back from a two week trip to Brazil. Actually, it was my honeymoon with my lovely wife Jamie. We traveled to São Paulo, Trancoso, Bahia and Rio de Janeiro and had a fantastic time in the warm weather and with good friends, old and new. My wife is very understanding of my vinyl affliction and as we were planning the trip she conceded that I should have an opportunity to do a little record shopping. We decided that while in São Paulo I would do my thang and that the rest of the trip would be relatively vinyl-free. So, I lined up two spots in SP and did some $$ damage.

I got some great items at both of these spots, some of which I'll definitely be sharing in the coming weeks, but for the most part I knew what I was looking for so I didn't take many chances on things that I hadn't previously listened to by way of collector friends or other blogs, etc. I did however have one opportunity for real "digging" in Rio when I chanced by a "Sebo" in Copacabana. It was beginning to rain and was threatening to pour when Jamie and I passed an open door to a used book store and upon a quick glance I saw a stack on vinyl in the main aisle and had to stop. While we had agreed that there would only be premeditated record shopping in São Paulo, my one addendum was that incidental record shopping would be permitted on a case-by-case basis. In this one instance, and there was only one the whole trip, I kinda just bull-dozed Jamie and told her that I would meet her back at our friend's apartment in 20 minutes . . . which turned into an hour at least. Even though I got dozens of great albums that I've been looking for forever at the other spots in SP, there's nothing like digging through a pile of dirty and unorganized records not sure what you're gonna find. After getting home to San Francisco and unpacking, cleaning and exploring my finds, its the records I got at this Sebo that I'm the most excited about because they're still brand new to me.

Today I have a few tracks from a generic Samba compilation called "Garra Brasileira" which translates as "Brazilian Claw", but that can't be right?!? Anyone else know a better translation for "Garra"? What's cool about this album is that it mixes classic samba songs from a top-notch group of studio players Conjunto Garra Brasileira (uncredited individually, of course) augmented by some wah-wah guitar and bleepy keyboards. I picked some of my favorite tracks that make the most of these seemingly incongruous sounds.

Conjunto Garra Brasileira - Eu Só Quero Um Xodó
This is an early version of this classic Dominguinhos Forró song done with the requisite accordeon and the addition of some quirky keyboards.

Ned Helena e Garra Brasileira - Tatuagem
This one is a mystery for several reasons, first of all is because I'm struggling to identify why I like it so much. Secondly, I'm not sure if this is a cover like most of the other tunes here or an original. And, lastly . . . who the hell is Ned Helena and why is she named "Ned". To attempt to answer the first mystery, I think it has a lot to do with the bleepy keyboards and the mellow organ groove. In full disclosure this is edited from a medley of which the second half sucks.

Conjunto Garra Brasileira - Mosca Na Sopa
A cool little version (also edited out of an otherwise crappy medley) of the Raul Seixas tune.

Djavan e Conjunto Garra Brasileira - Porta Aberta
Here we have Djavan doing his thing at least a year before he broke out on his own with his first LP. This is another great example of Wah-Wah Samba.

More Brazilian goodies coming up soon, so stay tuned!

It's a Wonder I forgot this one . . . Stevie Wonder's "Sugar"

Stevie Wonder - Sugar
I really can't believe I forgot this tune when selecting some of favorite lesser-known Stevie jams. Most people look to "Music of My Mind" as the first "funky" Stevie album and for the most part they're right, but before that album there was the mixed bag of "Where I'm Coming From" which hinted at a more experimental, bugged-out Stevie on funky keyboards and big drum sounds. But the song we have here is an album track off of his previous album, "Signed, Sealed & Delivered" from 1970. Sure, most of the album is soul-pop like the title track and that would probably be the description too for this cut, but listening to the drums (played by Stevie) and how prominent they are in the mix you can't help but think Stevie knew what was going on and you can feel that he was chomping at the bit to get out from under the Motown machine and let loose a funky maelstrom. I give you "Sugar". Tastes so sweet!

Bay Area Peeps: Wonderfull - This Saturday @ Mezzanine with DJ Spinna & Bobbito and more

I've been meaning to get to one of these Wonderfull events since I first heard about it years ago back in NYC and for some stupid reason I just have never been able to make it, but this time I'm gonna break the curse and get my ass down to Mezzanine this weekend. And in honor of that I have some of my favorite Stevie Maravilha (his Brazilian nickname) deep cuts and cover tunes for your listening pleasure. Also, check out P-R-O-P-S radio for a killer set of Wonderfullness. Not much on commentary here and no albums covers (too many songs here and it's busy here at work), so just hit play on the yahoo media player and Stevie and friends take you on a trip through music of Stevie's mind . . .

Stevie Wonder - Christmas Greeting
Couldn't pass this one up given the time of year. I want a whole album of keyboard based Christmas funk from 'Lil Drummer Stevie.

Stevie Wonder - Love a Go-Go
This is one of the first album track/deep cuts that I sought out and as a result was even further inspired by the breadth and depth of Stevie's genius. I think this was big in the UK/Norther Soul thang . . .


Syreeta - I Love Everything About You
Possibly my favorite Stevie version ever . . . and all-time favorite song. period. when I first got this album I listened to this one track on repeat for two days straight. seriously.

Tamiko Jones - Creepin'
Who woulda thought you could fuck with Stevie & Minnie dueting on the original version? I'm not saying it's better, but its damn good!

Ray Charles - Living For the City
The most recent Steviania acquisition . . . so dope. Nobody (aside from Stevie) does Fender Rhodes so nasty and raw as "The Genius".

Ellen McIlwaine - Higher Ground
By far those most left-field cut here . . . you can't deny Ms. McIlwaine's mastery of this song. The way she does it, you can imagine that she wrote it. For me, this speaks to the universality of Stevie's tunes.

Main Ingredient - Don't You Worry 'Bout a Thing
Main Ingredient have a long history of doing Stevie tunes, but this has got to be my favorite.

Stevie Wonder - Signed, Sealed, Delivered (Live)
A somewhat rare early-seventies live recording from an Jazz/R&B festival from 1974. I posted the whole album awhile back, but have since taken the songs down.

Sister Sledge - As
I can't say this holds a flame to the original, but it's such a great song that I could tolerate some less than perfect cover versions. This one is from the Sisters Sledge right before their Chic-produced breakout album. This one was recorded in Germany with the masterminds behind Silver Convention, Michael Kunze and Sylvester Levay.

Laso - Another Star
Here we have a latin instrumental take on another Songs in the Key of Life classic. Laso was a Joe Bataan side project that sounds very much like an MFSB or Vince Montana release from the same time. New York Latin Disco, Yeah!

The Gary Byrd Experience - The Crown (Instrumental)
I feel a bit like a racist posting the instrumental version of this song and by default ommitting the social-conscious lyrics of Prof. Gary Byrd, but honestly his rap sucks and the best part about this song is the "Good Times"-esque bass line and Stevie's one verse about 1/2 way in. He just kills it!

Stevie Wonder - All I Do
Thanks to my brother Charlie for hipping me to this tune early on. I honestly thought Stevie was done with Songs in the Key of Life until I heard this joint. This is some superb soulful mid-tempo disco. I forgot to bring it, but I also love the previously unreleased version of Syreeta doing this tune from back in the late 60s in a straight-up Motown cookie-cutter formula (and I don't mean that in a bad way) cause it sounds like a totally different song in that style, tempo and from a female perspective.

Stevie Wonder - Heaven is 10 Zillion Light Years Away
My favorite sleeper Stevie track from Fullfillingness First Finale. This is the kind of religious music I can get down to.

Goodwill Girl Groups

These are three of the eight records I got last week for $7.98 at the Goodwill near where I work. I don't go too often, but each time I manage to find something interesting. Last time it was a David Axelrod produced Lou Rawls joint. I've been assessing my purchases and found these three great tracks in the process. The Pointer Sisters jam some of you probably know and I was aware of it before copping the album, but these other two were pleasent surprises. Enjoy!

















Pointer Sisters - Don't It Drive Your Crazy


















Softouch - Please Be True


















Hot - Just 'Cause I'm Guilty

Inter-American Dialogue: The Leon Ware - Marcos Valle Connection

This is what blogs are for. I've been fascinated by the collaboration between Marcos Valle (left) and Leon Ware (below) for years now, ever since I read on Dustygroove that Marcos had written some songs on Leon's "Rockin' You Eternally" album. A deeper look reveals that their collaboration was a two-way street and the songs they wrote together are peppered across several albums of Leon's and Marocs'. Sure, I could try and write a proper article about this phenomenon, but the blog format seems ideally suited for this topic. I recognize that not everyone will be intrigued by this side alley of popular music, but for those who are, I'll dissect this collaboration in depth.
I've collected some (but not all) of the songs and recordings of the Ware-Valle partnership in this blog post, beginning with a song that was written by Marcos Valle and Robert Lamm (of Chicago) which Leon recorded for his 1979 album "Inside is Love."

Leon Ware - Love Is a Simple Thing
As far as I can tell, this is the first published intersection between Leon and Marcos, though Marcos is not playing on this record. It's strange to think that Marcos Valle and late-seventies Chicago were grooving to the same sounds, but it was a different time and when you really think of it they both come from similar backgrounds: jazz-influenced, blue-eyed pop soul.

Leon Ware - Rockin' You Eternally
For me, this is really the crowning achievement of the inter-American songwriter duo. The title track of Leon's first of two album on Elektra, "Rockin' You Eternally" is quintessential quiet-storm funk. Leon's clearly spearheading the lyrics on this one, but the music has got the unmistakable Marcos Valle touch, especially in the (and I'm not very expert in describing musical concepts) way the song changes keys in the chorus. You'll not that same chord progression in a Marcos song below that otherwise sounds nothing like this tune. I wonder if there is a recording somewhere of Marcos doing this tune in Portuguese or a Leon Ware - Marcos Valle demo . . .


Leon Ware - Baby Don't Stop Me
Here we have the first example of a song that both Leon and Marcos recorded in different, but very similar versions. Leon's is clearly rooted in an early-80s quiet-storm boogie mode with hardly a trace of Brazil in the mix.

Marcos Valle - A Paraíba Não É Chicago
I've been listening to this album non-stop for the past few days and it just doesn't get old. The whole thing is great, without a weak song among the bunch. This is the lead-off track and as you can hear, it's Marcos' version of "Baby, Don't Stop Me" with that exact chorus being sung by Chicago' Peter Cetera. This song and "Sei La" were the only two songs recorded in LA, I'm guessing, before Marcos returned to Brazil to stay and finish the album.

Marcos Valle - Velhos Surfistas Querendo Voar
This is the real sleeper on the album and took a dozen or so listens to really grow on me. This is also the tune that reappropriates the chord-progression from "Rocking You Eternally", but that's about where the similarity with the latter song ends. This song is where the album title comes from too.

Marcos Valle - Não Pode Ser Qualquer Mulher
This is a beautiful tune composed by the duo, with lyrical assistance from Marcos' go-to lyric writer, Paul Sergio Valle (his brother).

Marcos Valle - Bicho No Cio
Before I even knew about the Marcos Valle - Leon Ware connection I got this Brazilian promotional 7" single with four songs and this was one of them. I immediately dug the slow, funky groove and began my search for the album it came from. This is also the second song, like "Baby Don't Stop Me" that both artists did in similar versions.

Leon Ware - Got To Be Loved
Here we have Leon's version of "Bicho No Cio". I love Leon's work throughout his career, so I mean no disrespect when I say that aside from "Rocking You Eternally", I prefer Marcos' versions over Leon's and this song is no exception.

Leon Ware - Somewhere
This is an interesting tune that shows Leon getting into a Brazilian groove unlike any other recording of his I've heard. That would be Flora & Airto on vocals and percussion.

Marcos Valle - Dia D
Here's the last tune in the set, a one-off collaboration in a funky party mode. This album features one other tune with co-writing credits from Leon, but its a pretty mediocre slow-jam. This is a fun song from a seriously under-rated album. Actually, my next post will likely pull the song "Fogo de Sol", which I just discovered is the vocal version of one of my favorite Marcos Valle tunes, "Adam's Hotel" from the Deodato album "First Cuckoo".

Argentinian Fire From Egle Martin

I picked up this rare 7" single in Curitiba, Brazil back in 2004 at a record store run by a very nice dude named Julio. I was buying a fair bit of stuff so he just sorta threw it in as a bonus and because it was a Uruguayan (turns out its an Argentinian record - I could be wrong again but it would appear that Egle's from Argentina, but the band is from Uruguay - correct me if you know differently) record he wasn't even sure what it was worth. It's since become a favorite of mine and a few friends I've shared it with.

But then last night I dropped it in my set at Dalva (word up, Toph One) and it became the clear runaway hit of the night. I'll be scanning the cover and uploading for all to see, but here are the two tracks, both great, but the intro to the first one is so dramatic and jazzy . . . then the smokin' latin beat drops!

Egle Martin - Dombe BariloEgle Martin - El Dombe

There's an Argentine pressing here on eBay.
This is what that eBay seller had to say about the record:
Egle Martin (a.k.a. La Negra) was sorta like La Lupe from the south of the southern hemisphere. She was deeply involved into the Afro-Latin American culture, and especially the underground Uruguayan and Brazilian scene (experiencing the Bossa and Candomble, often with her Brazilian friends, Maysa and Luiz Eca, among others, and skilled Uruguayan musicians). The Dombe was a rhythm inspired by the afro-Uruguayan Candomble, of her own creation, which also mixes American Funk, Boogaloo and Latin Jazz. Dombe Barilo is a KILLER track in its own right, with those fantastic bongo drums, brass sections, horn arrangements, funky bass-n-drums, plus Egle's vibrant manner of singing, with some lush and intense scat vocal in parts. El Dombe, is the track which gives its name to the rhythm, and is equally good. Both tracks have cool lyrics, and they mainly refer to the dance, and this rhythm.

Intergalactic Space Funk: Phase I: Launch

The Ambassador - Intergalactic Space Funk: Phase I: Launch
As promised a few months ago, here's the newest installment of the SPACE FUNK. This is part one of several future chapters of Space Funk. To be honest, I messed up the mix shortly after this section was completed and that seemed like a good enough reason to break these up into sections and thematically it works too. This first "Phase" is about leaving earth and journeying into space. The mix starts off with some general funkiness with plenty of spacy keyboards and then slowly builds until you are blasting off into space. The next phase will find our intrepid space funkateers on the Moon and beyond.

This mix was re-inspired by my Friday night activities at San Francisco's "Ghetto Futuristic Psychedelic Funkadelic Electronic Erotic Dance Party happening" aka "Future Shock". Big ups to Freddy, Marky, Jason & Stefan for throwing a great party and inspiring me to complete phase I and beyond . . .

The Count's California Count-Down - Side A & B

UPDATE: Now both sides of the mix are up for your listening pleasure!

Happy Monday, Soul Spectators!

This quick little post is part one two of a mix I made this weekend for some friends who are about to embark on a West Coast Tour. Chris and Dan are gonna be escorting the Taiwanese indie-rock/pop band Won Fu on their first US tour. I was trying to imagine them bopping along the I-5 to some groovy tunes and that was my inspiration. I also wanted to use some of the great interludes from this Sesame Street record I recently copped. Keep in mind that all of the interludes used were put together with David Axelrod's help. Sure, they are not mind-blowing like his normal output, but they're pretty sweet nonetheless.

The Ambassador - The Count's California Count-Down - Side A
The Ambassador - The Count's California Count-Down - Side B

Balanço Brasileiro

There's Baile Funk, Samba Funk, Funky Samba, Brazilian Soul, Roots Samba, Bossa Nova and dozens more sub-genres of Brazilian music that swing, but today we're gonna focus on just that, the SWING. In Brazilian Portuguese, the term is "Balanço". Now, there's no real specific definition of "Balanço" but like the term suggests, its more a feeling, the way a song moves. I think this term became popularized in the early-to-mid sixties when the instrumental Bossa Jazz trios were in swinging in full fore, such as Tamba Trio, Jongo Trio, Bossa Três and many others. These groups were melodic, but they also SWUNG HARD.

Around this time you also have "dance music" purveyors, like Ed Lincoln with his organ and his swinging dance records. One of Ed's main men and occasional vocalist was Orlandivo, who first started recording in the early 60s. He made a couple albums in the early-to-mid sixties and then not another solo record until the 1977 album he did with João Donato (see below). He was a vocalist, percussionist and song writer.

One of Orlandivo's best known songs is featured today in four versions, "Tamanco No Samba". The direct translation means "Clog in Samba", but clog like the wooden shoe, not what's backing up your drain. If someone knows what this is referring to, please chime in. A quick glance at the lyrics suggests the song is about the sound a woman makes when dancing the samba wearing clogs - a bonus percussive element to the samba. Works for me.

Anyways, this is a sleeper favorite from Orlandivo's 1977 album, which is chock full of great tunes and then I found it retitled as "Samba Blim" from the Tamba 4 album of the same name on A&M from 1968. The drummer from Tamba 4, Helcio Milito, often appears alongside Orlandivo on various album credits throughout the years, so I'm guessing they go way back. Next, I heard another cover on the beautiful 70s bossa vocal jazz album Aquarius and then my main man Cal Tjader covered the tune with help from Airto on his "Amazonas" album. And with that, I bring you "Tamanco No Samba."

Tamba 4 - Samba Blim
I picked up their first A&M album "We and the Sea" awhile back but it was when my initial bossa binge was waning, so I failed to appreciate this top-shelf band making full use of the American recording environment. This, their second and final record for A&M (though rumors have it there was a third recorded - the promo single only "California Soul" being from those sessions) is really solid. They were such a versatile band for three (occasionally four) members including the singing bassist, Bebeto. I discovered this tune after knowing and loving the 1977 Orlandivo version and realized it was the same song with a different title, which was not uncommon for US releases of Brazilian tunes.

Aquarius - Tamanco No Samba
This is an extremely rare record that has more than a little in common with the criminally underrated duo of Burnier & Cartier. Cartier is absent on this one, but Octavio Burner and his wife Sonia are all over this and the sound is very similar to their albums and then there are two of their compositions on here. Overall, this is a lovely mid-seventies Bossa Nova album with stunning production. You can download it here from Quimsy's blog.

Orlandivo - Tamanco No Samba
One of the best albums of the 70s for my money. Orlandivo's songs and laid-back vocal style combined with a top-shelf band including João Donato on arrangements. Loronix has the album here.

Cal Tjader - Tamanco No Samba
Cal knew his Brazilian music and on top of that he had Airto produce this mid-seventies outing so you knew he was gonna have the Brazilian beat dialed in to perfection. This joint was recorded walking distance from where I work in Berkeley, CA.

Barry Good Music

Barry White is one of those musicians that I never really followed too closely because his music was already so ubiquitous, I assumed that I had already heard it all. Sure, I definitely liked some of his stuff a lot and even got down to some greatest hits CD when I lived in Indonesia and was starved of good music. But it wasn't until lately that I realized what a wealth of music he was responsible for beyond his own records.

I have been rocking the Love Unlimited record below for a couple years now and managed to track down the My Sweet Summer Suite 12" a while back, but honestly I was thinking these tracks were just one-offs. Then, more recently, I came across the Gloria Scott record and then the Jay Dee single (also featured on the $20 Worth of Soul Mix and I realized that there really is something to this Barry White dude beyond the hits.

Gloria Scott - What Am I Gonna Do?
This album is awesome! It's kinda like the first Love Unlimited album, but with a more soulful solo female vocalist. Most of the songs are mid-tempo and really emotionally-charged, but man the arrangements and the hooks are sooo good! This is the first track of the disc, but honestly I coulda picked one of 5 others that are just as good. Pick up the reissue CD or LP at dustygroove.

Love Unlimited - I Can't Let Him Down
This is a later Love Unlimited jam that I absolutely love. The intro is soaring and then the beat just drops and the song is on its way. This song shows Barry in a more rare fast-paced groove.



Love Unlimited Orchestra - My Sweet Summer Suite (12" Version)
I initially liked this one for its tropical, cuica-filled intro, but the groove is just great.


Jay Dee - Strange Funky Games and Things
Another Barry White side-project, Jay Dee is a decent singer but what we have here is really just prime Barry White arrangements and playing from Love Unlimited, Barry's ever-present ensemble. I'm sure there are other individuals responsible for these excellent tunes: the Love Unlimited singers, Jay Dee, arrangers such as the legendary Gene Page and Webster Lewis, but the one thing all these tunes have in common is the larger than life . . . Barry White.