September 14th Soul Spectrum Radio Show - Special ALL BRAZIL edition

Or you can download the show here.

August 24th Soul Spectrum Radio Show

Or, download the whole show here.

August 17th Soul Spectrum Radio Show with special guest: DJ Sureshot

Shane Hunt aka DJ Sureshot graced The Soul Spectrum with his presence on today's show, playing some cuts from his new Good Look EP. Sureshot talks a bit about what it takes putting out your own record DIY-style, but that's not to say this release looks or sounds like your stereotypical DIY project. Freddy Anzures of Props pitches in on the visual design and DJ Sureshot's production rivals anything else out there today on the hip-hop beat-making side as well as the nu-funk production that seems to be thriving these days.

One thing that he said that I thought was interesting was Sureshot's approach to beat-making, blurring the lines between Hip-Hop, Psych and Funk, "To me it doesn't matter what genre it is, I'm still gonna approach every song in the same way."

Buy the EP on iTunes
Buy the EP on Amazon

You can get "Mr. Fortune & Fame" his first single from the EP featuring Mighty Pope on Dustygroove.



Listen to the entire hour-long radio show here:

You can download the show here.

August 10th Soul Spectrum Radio Show

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August 3rd Soul Spectrum Radio Show

You can download the show here.

Takin' it to the Air Waves: Soul Spectrum is now on KZSU Radio

Apologies for my absence. I knew that as soon as I had a baby something would lose out on the zero-sum game that is my life and it turns out the unlucky extracurricular that got the axe was the blog. But, as life changes and evolves, new opportunities emerge . . .

My day job at Stanford University has facilitated my entry into the world of college/independent radio at KZSU 90.1 FM Stanford. Starting earlier this summer I scored a regular radio spot for my show "Soul Spectrum". Currently, the show is on Wednesdays from Noon-1pm PST and if it ever changes time slots, I'll be sure to update you here.

Starting right about now I'm going to post my radio shows to the blog so that you can check them out and hear what's been floating my musical ark as of lately. If you're in the Bay Area, you might be able to get our signal at 90.1 FM or you can always stream the show live using this link.

With that, here's the last show I did with special guest DJ Ricky Pang from July 20th.

You can see the playlist for this and all of my shows here.



Or download the show here.

Alma Doce: Brasilian Sweet Soul Mix

You can download the whole mix at 320 kbps here.

Tracklist:
1. Baby - Quinteto Ternura
2. Vida Antiga - Erasmo Carlos
3. Gostava Tanto de Voce - Tim Maia
4. Primavera - Trio Esperanca
5. O Vale - Cassiano
6. Nem Quero, Nem Saber - Claudia (cover of English song "I Don't Care" by Tim Maia)
7. Salve Linda Cancao Sem Esperanca - Luiz Melodia
8. Shadows Dark and Blue - Terry Winter
9. California Soul - Tamba 4 (promo only)
10. Sentimento - Tim Maia (his first single from '68)
11. Viu, Menina - Tony e Frankye
12. Estrela D'Alva - Socrates
13. Na Rua, Na Chuva, Na Fazenda - Golden Boys
14. Como? - Paulo Diniz
15. Depois Da Queda (Tema De Flor) - Roberto Menescal (edit)
16. Baby de Tal - Ronnie Von
17. Azul da Cor do Mar - Tim Maia
18. Quando Vejo o Sol - Os Incriveis
19. As Dores do Mundo - Hyldon
20. Feel Like Making Love - Anna Mazotti
21. Just For You - Gerson King Combo
22. Linha do Horizonte - Azimuth

Kicking Funk Loops from Here to Cal Tjader

They don't make 'em like Cal Tjader any more. As a band leader he had a very straight forward vision: make interesting music that audiences could relate to. He did this for more than three straight decades, releasing dozens of albums on many record labels. He worked with many different bands with members such as Mongo Santamaria, Willie Bobo, Vince Guaraldi, Al McKibbon, Pete Escovedo, Coke Escovedo, Clare Fischer, Poncho Sanchez, Lonnie Hewitt, Armando Peraza, Tito Puente, Stan Getz, Carmen McCrae, Airto, Joao Donato, Lalo Schifrin, George Duke, Charlie Byrd, Eddie Palmieri and many more. Paraphrasing Cal's biographer (book due out in a couple years), musicians liked to play with Cal because he would give great sidemen the spotlight to shine, something that Cal's East Coast colleague Tito Puente would never do and resultingly Mongo and Willie jumped ship for Cal's cool latin band in the late 50s.

Cal's an unlikely source for hip-hop samples with his white-bread collegiate look and chunky glasses, but a quick survey of hip-hop classics will show you that Tjader had a knack from creating interesting sounds that made for great moody samples (Midnight Marauders interlude music, for instance). Just ask Pete Rock:

“It’s coming soon, so chill and don’t stress the creator/ I’ll kick funk loops from here to Cal Tjader…" (from the Pete Rock and CL Smooth song “In the Flesh,” from their “Main Ingredient” album).

This blog has a great two-part mix with Tjader originals interspersed with songs that sampled him, many of them rare instrumental versions.

I've been working on my Tjader collection since moving to the Bay Area and have nearly completed the 1965-1975 era, which is probably my favorite as it sees Tjader trying to stay hip and relevant and doing a pretty damn good job. The early sixties saw him switch from the Bay Area-founded Fantasy Records to the more nationally-focused Verve Records where he scored his biggest hit, "Soul Sauce". His mid-sixties Verve albums range from soft ballads to funky latin fusion and are all excellent listens. In the late 60s he founded Skye records with like-minded musical oddballs: Gabor Szabo and Gary McFarland and released three albums: Solar Heat, Sounds Out Burt Bacharach and Plus In. A recently released session from those years "Latin + Jazz = Cal Tjader" is particularly revelatory in that it represented, according to Tjader's biographer, Cal's preferred live repertoire: a couple ballads mixed in with some mid-tempo Latin-Jazz numbers.

When Skype folded after a couple years Cal went back to Fantasy and put out his funikiest and hardest-hitting Latin albums, in my opinion: Agua Dulce (1971), Tjader (1971), Last Bolero in Berkeley (1973) and Primo (1973). The seventies also saw him focus a lot on recording live, with great results, on Live at the Funky Quarters (1972), Puttin' It Together (1974), At Grace Cathedral (1975) and Here (1977). As you can see from the tracklist below, some of the best versions of his most loved songs can be found on these live albums. All in all, I don't think Cal ever made a bad album, nor did he fully sell-out in a commercial sense - there's no such thing as a Cal Tjader disco album and you can't say that for most jazz musicians that survived the 70s. I've assembled some of my favorite "Tjader Tjams" from the period 1964-1974 for your enjoyment. Eventually, I hope to get around to putting together the ying to this yang, "Tjader Tjems", the mellow companion to this Latin groovathon. Tjam On!



















The Ambassador Presents Cal Tjader - Tjader Tjams
1. Moneypenny Goes for Broke, from: Sounds Out Burt Bacharach
2. Souled Out, from: The Prophet
3. Armando's Guajira (live), from: Latin + Jazz = Cal Tjader (CD only)
4. Soul Sauce (Guachi Guaro), from: Soul Sauce
5. Cubano Chant (live), from: Live at the Funky Quarters
6. Fried Bananas, from: Solar Heat
7. La Murga Pana Mena, from: Primo
8. Amazonas (live), from: Puttin' It Together
9. Agua Dulce (Cool-Ade), from: Agua Dulce
10. Mambero, from: Tjader
11. Ran Kan Kan, from: Agua Dulce
12. Solar Heat, from: Solar Heat
13. Leyte (live), from: Live at the Funky Quarters
14. Gimme Shelter, from: Agua Dulce
15. I Showed Them, from: Tjader
16. Walk on By, from: Sounds Out Burt Bacharach
17. Never My Love, from: Solar Heat
18. Never Can Say Goodbye, from: Last Bolero in Berkeley
19. Morning, from: Agua Dulce
20. Curtain Call, from: Last Bolero in Berkeley

Gostosa Mix on P-R-O-P-S.com Radio

A brand-new mix from yours truly and my partner in crime at Gostosa, Guillermo, doing 10 songs each for P-R-O-P-S.com Radio.

Come on by Gostosa Thursday night for the "Rio Deal"

Gostosa (normally, every 2nd Wednesday)
Casanova - 527 Valencia @ 16th Street
9pm-2am

Gostosa . . . It's Only the Beginning

I'm thrilled to have a good buddy Freddy Anzures of P-R-O-P-S.com working with Jacob (aka DJ Guillermo) and yours truly on our new look for the monthly Brazilian affair at Casanova in the Mission. If it's not already crystal claro . . .

Gostosa = Hot or if you want a more prosaic answer, read this.

So, for each monthly party we're gonna feature a different Artista Brasileira (Brazilian artist of the musical variety) on our flyer, eventually culminating in a calendar. It'll be way classier and collectible than a Snap-On Tools cheesecake/soft-porn affair - we're talking only the best of the best from classic Brazilian album covers, back covers, wherever we can find images that cry out "Gostosa".

For our first month we have the lovely and criminally underated Astrud Gilberto. She may have started her career on a fluke: she just happened to be in the recording studio with her then-husband Joao Gilberto during the recording of the classic Getz/Gilberto album and at Creed Taylor's suggesting she sang the English version of "The Girl from Ipanema" lyrics because Joao refused, but she has proven herself to be a classy interpreter of Brazilian and American/Anglo pop songs as well. Her first solo album is a real treat with both Jobim and Donato providing arrangements and she was also responsible for being the first to release many classic Brazilian songs in the US.


Astrud Gilberto - Beginnings
DJ Guillermo hipped me to this tune after wrongly thinking there was nothing worth hearing on some of these late 60s Verve albums. Damn, was I wrong. This, the opening cut off her "September 17, 1969" album is a surprisingly good Brazilian-style cover of the Chicago Transit Authority tune. I was sure Airto was in on this, especially given the percussion breakdown, but its some unknown Italian producer who put this together.

Homenagem Musical ao Futebol Brasileiro

Homenagem Musical ao Futebol Brasileiro - The Ambassador
Welcome back people! Sorry for the absence here on Soul Spectrum. There's been a lot happening back on the ranch that unfortunately nudged this fun diversion to the back burner for the past couple months. But as I've been getting caught up in the excitement of the World Cup I was galvanized last night to make a mix in honor of the first Brazil game I've been able to watch in this tournament. It was a good, close game with Brazil's colonial rivals that just ended in a 0-0 draw, but the shelf-life of this mix will last at least into the next round, if not longer. I'm of course cheering for the USA, but last time I checked there aren't too many songs about American soccer, or at least not yet.

Brazil, on the other hand, has a passionate and enduring love affair with the sport that borderlines insanity, especially around any big tournament. I remember being in Sao Paulo during an American's Cup in a relatively sleepy artsy neighborhood in a 5th floor apartment with the windows open and every time Brazil scored (or almost scored) you could hear cheers, screams, fireworks erupting from every direction throughout the city. I'm sure you can find a Brazilian that doesn't give a damn about Futebol, but your odds are about as good as finding an actual North Korean fan cheering on the Axis of Evil's lone World Cup contending team.

Brazilian soccer and music have a very special relationship as you'll hear from the selections in this mix. I'm going to be so bold as to ignorantly proclaim that Brazil has more popular songs about the sport than any other nation. As such, it's no surprise that you'll see Brazilian music stars on the pitch in uniform, sporting their team colors, marrying famous soccer stars or singing about their favorite team. Samba's diva supreme, Elza Soares, married Garrincha, a player as famous as Pele within Brazil for his leadership and dominance in the 1958 and 1962 Brazilian World Cup victories. FIFA claims that he is the second best player in the history of the game, following Pele. On the back of this 1970s Elza Soares LP you can see Elza, Garrincha and their baby.

I'm certain my selections on this mix are only the tip of the iceberg when it comes to Brazilian soccer anthems, but I'm pretty content with it for a spontaneous mix made last night. If any of you know of any other great tunes, please let me know in the comments. Seeing Chico Buarque in his jersey here makes me want to scour his LPs for some hidden soccer homages buried in his deep catalog.

Jorge Ben, on the other hand is solidly represent in this 20-song mix with two of his own recordings ("Sem Essa no. 5" & "Camisa 10 de Gavea"), both Wilson Simonal tunes were composed by Ben and my most recent acquisition brings us the killer version of Ben's futebol classic "Fio Maravilha". And I left off the obvious selection "Ponta de Lança Africano - Umbabarauma" because I figure most of you already know that one. Jorge Ben's club team is Flamengo as you can see by the red & black emblem on his guitar.



The greatest player of all time teamed up with Sergio Mendes in the late-seventies for a documentary about himself. I can't speak to the quality of the film and the soundtrack is easily the worst Sergio album of his first two decades, but the soundtrack cover is possibly the best image capturing the intersection of Brazil's obsession with music and futebol. I did include a funky percussion groove from the soundtrack, the best moment from my opinion.



















At the same time as this Sergio "solo" soundtrack project he did a fantastic album with the "New Brazil '77" featuring a couple exclusive Stevie Wonder compositions and the funky dancer "Mozambique" but it's also notable for having Pele making a cameo on the back cover as the doctor attempting to repair Sergio's band of wounded and dirty soccer players.

In Brazil even hippies like soccer as evidenced by Novos Baianos' third album and this clip. "F.C." means Futebol Club and by looking at their colors, they might be Flamengo fans as well. I love how Moraes Moreira just wanders off the practice pitch mid-game to sing a song and slowly but surely the rest of his team/band joins him:



Here's the track-list with some notes:

1. Ritmo de Abertura - Explosao de Samba
(I'm not sure who the band is here, but I've always loved crazy samba mixed with electronics)
2. Praia e Sol - Bebeto
(Bebeto, the poor man's Jorge Ben which is not so poor given Ben's musical wealth, sure has his priorities figured out: Beach, Sun, Girls, Soccer. Nuff said.)
3. Soccer Game - Eumir Deodato e os Caterdraticos '73
(A cool little instrumental from one of Brazil's most famous musical expats - this one was recorded in Brazil around the same time as his mega-hit remake of the theme to 2001)
4. Paz e Futebol - Marcos Valle
(the first of two appearances from Marcos Valle, this one from his Garra album - dig the outro scatting)
5. Pais Tropical - Wilson Simonal
(a classic Jorge Ben tune in the definitive version by Simonal. Nobody does a nationalistic pop-samba quite like Simonal. The soccer reference is "Sou Flamengo e tenho uma nega chamada Tereza", which means "I'm Flamengo and I have a black chick called Tereza"
6. Flamengo - Tim Maia
(A rare Tim Maia instrumental also praising the Rio team Flamengo)
7. Aquele Abraço - Osvaldo Nunes
(this is a new aquisition, a single-only version of the Gilberto Gil classic that also has a Flamengo reference: "Aia, torcida do Flamengo - aquele abraaco!")
8. O Samba da Minha Terra - Novos Baianos
(From the Novos Baianos album "Novos Baianos F.C." this is more of a tribute to Bahia, but it's killer and can be interpreted as generally patriotic.)
9. Sem Essa no. 5 - Jorge Ben
(there's a soccer reference in this Jorge Ben rarity, not found on any albums of his, but just on a label compilation from the early 70s)
10. Brasil, Eu Fico - Wilson Simonal
(another Jorge Ben nationalistic tune helmed by Simonal)
11. Fio Maravilha - Explosao do Samba
(love this version with the weird guitar and announcer effects)
12. Grito de Gol - Serginho Meriti
(a great tune about the "Scream of the Goal" by Samba-Soulster Serginho Meriti)
13. Se Meu Time Não Fosse o Campeão - MPB-4
(A late 70s tune from the MPB-4 about "if my team is not the champion")
14. Camisa 10 de Gavea - Jorge Ben
(A tribute to the guy wearing the number 10 jersey on Gavea's team, from the same album as "Ponta de Lança Africano - Umbabarauma", Africa-Brasil)
15. A Tristexa do Adeus (The Sadness of Goodbye) - Sergio Mendes
(Groovy instrumental from the Pelé soundtrack)
16. Maracana - Azymuth
(an instrumental tribute to the greatest Soccer stadium in the world)
17. Futebol de Bar - Cesar Mariano & Cia.
(an interesting piano ditty that turns into a stomping, funky groove for the song's outro)
18. Happy Brasilia - James Last
(the only non-Brazilian in the mix, this is a surprisingly authentic batucada jam from Germany's Herb Alpert)
19. Flamengo Até Morrer - Marcos Valle
(I considered putting this song in at spot #8 to have four Flamengo tunes in a row from four different princes of MPB, but the song fit better at the end of the mix. Find me a better love song to a soccer team, I dare you. "Flamengo until death.")
20. Aquarela Brasiliera - Nostalgia Electrônica Orchestra
(cheesy, yes, but it seemed a fitting nationalistic outro in a disco style from a weird album by keyboardist and arranger Daniel Salinas)

Digging in Brazil, Part 3: MPB Unplugged

This is one of the more interesting records I picked up on this last trip. I've never seen it before and never heard of it either. It's the kind of record that only someone really geeky like me could enjoy as it includes some rare performances by some of my favorite artists arguably from one of the greatest years for Musica Popular Brasileiro (MPB) . . . 1972. This is one of those annual recap records documenting the biggest news stories in short segments, including a small bit on Caetano and Gil returning from exile, but musically that's the only good part on disc 1. Thankfully disc 2 is chock full of interviews with famous musicians with something like 20 different artists ranging from bossa nova legends Tom Jobim, Johnny Alf and Carlo Lyra to MPB stars Milton Nascimento, Gal Costa and Edu Lobo.


Not only are there interviews, but in many cases the interviewer asks the artist to perform something live in the studio, sometimes accompanied by guitar or maybe just a matchbox for percussion. I've picked my favorites from these interviews for my nerdiest readers.



Erasmo Carlos - Quem Mandou Levar (Samba da Preguiça)
This one is the real treasure in my opinion. It doesn't get much better than Erasmo accompanying himself on guitar in the prime of his career. I don't think he ever recorded this song elsewhere. Anyone know if anyone else ever recorded this songs and if so, what's the actual title?

Paulinho da Costa - Gaurdei Minha Viola
Here we have a Paulinho da Viola classic with his sweet as honey voice and accompanied only by some matchbox percussion. This is the pure essence of Paulinho da Viola.

Gal Costa - Untitled Song
Gal sound drunk and/or high in the interview section, but this little song is sweet.








Caetano Veloso - Tropicália (Live)
This is the one interesting musical section from the news of 1972 from Disc 1. I like his 1972 reinterpretation of Tropicalia.

Luiz Gonzaga - Accordeon Solo
Man, can Luiz wail on accordeon. I wish somebody who makes beats would cut this up and make something cool out of it. Holler if you want a wav file and I'll hook you up.







Rosinha da Valença - De Conversa Em Conversa
Maybe Rosinha recorded this lovely number on one of her albums, but I recognize this tune from João Gilberto's 1969 album recorded in Mexico. Nice stuff.











Milton Nascimento - Untitled Song
I was marginally dissappointed with this one just because I would think that Milton in 1972 would be 24/7 mind-blowing. I think this is a version of another song he does, but can't place it. Little help people?








Edu Lobo - Candeias
Wow. Really digging this one. I guess Edu wrote it, but I know it from the lovely Gal & Caetano album "Domingo".

Digging in Brazil, Part 2: Samba da Preguiça Mix

The Ambassador - Samba da Preguiça Mix, January 2010
New mix from The Ambassador. All selections original and recently acquired by yours truly on my most recent trip to Brazil. Of particular note are the live-in-studio spots from Vinicius & Erasmo at the beginning and Paulinho da Viola at the end. This one and the Zeca do Trombone e Roberto Sax are the only records with more than one track featured. Enjoy!

Digging in Brazil, Part 1

A little over a week ago I got back from a two week trip to Brazil. Actually, it was my honeymoon with my lovely wife Jamie. We traveled to São Paulo, Trancoso, Bahia and Rio de Janeiro and had a fantastic time in the warm weather and with good friends, old and new. My wife is very understanding of my vinyl affliction and as we were planning the trip she conceded that I should have an opportunity to do a little record shopping. We decided that while in São Paulo I would do my thang and that the rest of the trip would be relatively vinyl-free. So, I lined up two spots in SP and did some $$ damage.

I got some great items at both of these spots, some of which I'll definitely be sharing in the coming weeks, but for the most part I knew what I was looking for so I didn't take many chances on things that I hadn't previously listened to by way of collector friends or other blogs, etc. I did however have one opportunity for real "digging" in Rio when I chanced by a "Sebo" in Copacabana. It was beginning to rain and was threatening to pour when Jamie and I passed an open door to a used book store and upon a quick glance I saw a stack on vinyl in the main aisle and had to stop. While we had agreed that there would only be premeditated record shopping in São Paulo, my one addendum was that incidental record shopping would be permitted on a case-by-case basis. In this one instance, and there was only one the whole trip, I kinda just bull-dozed Jamie and told her that I would meet her back at our friend's apartment in 20 minutes . . . which turned into an hour at least. Even though I got dozens of great albums that I've been looking for forever at the other spots in SP, there's nothing like digging through a pile of dirty and unorganized records not sure what you're gonna find. After getting home to San Francisco and unpacking, cleaning and exploring my finds, its the records I got at this Sebo that I'm the most excited about because they're still brand new to me.

Today I have a few tracks from a generic Samba compilation called "Garra Brasileira" which translates as "Brazilian Claw", but that can't be right?!? Anyone else know a better translation for "Garra"? What's cool about this album is that it mixes classic samba songs from a top-notch group of studio players Conjunto Garra Brasileira (uncredited individually, of course) augmented by some wah-wah guitar and bleepy keyboards. I picked some of my favorite tracks that make the most of these seemingly incongruous sounds.

Conjunto Garra Brasileira - Eu Só Quero Um Xodó
This is an early version of this classic Dominguinhos Forró song done with the requisite accordeon and the addition of some quirky keyboards.

Ned Helena e Garra Brasileira - Tatuagem
This one is a mystery for several reasons, first of all is because I'm struggling to identify why I like it so much. Secondly, I'm not sure if this is a cover like most of the other tunes here or an original. And, lastly . . . who the hell is Ned Helena and why is she named "Ned". To attempt to answer the first mystery, I think it has a lot to do with the bleepy keyboards and the mellow organ groove. In full disclosure this is edited from a medley of which the second half sucks.

Conjunto Garra Brasileira - Mosca Na Sopa
A cool little version (also edited out of an otherwise crappy medley) of the Raul Seixas tune.

Djavan e Conjunto Garra Brasileira - Porta Aberta
Here we have Djavan doing his thing at least a year before he broke out on his own with his first LP. This is another great example of Wah-Wah Samba.

More Brazilian goodies coming up soon, so stay tuned!

Prelude to a Return: Clara Nunes Videos

We got back from our Honeymoon on Sunday and I've been suffering from some form of airplane bug combined with jet lag ever since. I'm planning on ripping some of my recently acquired gems, but before I get to that I have to share with you this great DVD I picked up that's blowing my mind as I type this. It's not that it's particularly good, because it's not. But if your idea of Brazil is shaped by the images and sounds you digest by way of the Bossa Nova scene, Tropicalia movement or through the marquee MPB stars like Milton, Elis and Chico, then this video will give you a completely different view on Brazil.

Having just returned from there, I can concur that life is one way in Rio de Janeiro and São Paulo and everywhere else life it's another. Watching videos of the Tropicalia gang doing their thing, you might think you were watching something from Europe, but in comparison this Clara Nunes DVD makes Brazil seem closer to the Third World than the Old World. The production value often resemble vintage Karaoke videos, but these O.G. singa-long clips from the 70s and early 80s were likely made outside of the two metropolises and they featured almost exclusively non-white Brazilians.

Then there's Clara herself who is clearly of mixed race and showcases her Candomble religion proudly often wearing a white dress and African beads. Her voice is powerful and mesmerizing. Oh and did I forget to mention she's simultaneously sexy and intimidating in a Amazon woman kind of way?

Nearly every Clara Nunes album is great as she was one of the most consistent Sambistas of the 70s revival era along with Martinho da Vila and Paulinho da Viola. According to AllBrazilianmusic.com she was responsible for breaking open the popular female samba singer role for other classic female samba singers such as Beth Caravalho and Alcione.

Check out this killer LIVE clip (sadly, not enough of these on the DVD) with Sivuca killing it on accordeon on this funky forró cut:
Clara Nunes with Sivuca - Feira de Mangaio


Here are two more great ones, but unfortunately I couldn't grab the embed code, so you have to watch 'em on youtube:

Sagarana

Morena de Angola

Inter-American Dialogue: The Leon Ware - Marcos Valle Connection

This is what blogs are for. I've been fascinated by the collaboration between Marcos Valle (left) and Leon Ware (below) for years now, ever since I read on Dustygroove that Marcos had written some songs on Leon's "Rockin' You Eternally" album. A deeper look reveals that their collaboration was a two-way street and the songs they wrote together are peppered across several albums of Leon's and Marocs'. Sure, I could try and write a proper article about this phenomenon, but the blog format seems ideally suited for this topic. I recognize that not everyone will be intrigued by this side alley of popular music, but for those who are, I'll dissect this collaboration in depth.
I've collected some (but not all) of the songs and recordings of the Ware-Valle partnership in this blog post, beginning with a song that was written by Marcos Valle and Robert Lamm (of Chicago) which Leon recorded for his 1979 album "Inside is Love."

Leon Ware - Love Is a Simple Thing
As far as I can tell, this is the first published intersection between Leon and Marcos, though Marcos is not playing on this record. It's strange to think that Marcos Valle and late-seventies Chicago were grooving to the same sounds, but it was a different time and when you really think of it they both come from similar backgrounds: jazz-influenced, blue-eyed pop soul.

Leon Ware - Rockin' You Eternally
For me, this is really the crowning achievement of the inter-American songwriter duo. The title track of Leon's first of two album on Elektra, "Rockin' You Eternally" is quintessential quiet-storm funk. Leon's clearly spearheading the lyrics on this one, but the music has got the unmistakable Marcos Valle touch, especially in the (and I'm not very expert in describing musical concepts) way the song changes keys in the chorus. You'll not that same chord progression in a Marcos song below that otherwise sounds nothing like this tune. I wonder if there is a recording somewhere of Marcos doing this tune in Portuguese or a Leon Ware - Marcos Valle demo . . .


Leon Ware - Baby Don't Stop Me
Here we have the first example of a song that both Leon and Marcos recorded in different, but very similar versions. Leon's is clearly rooted in an early-80s quiet-storm boogie mode with hardly a trace of Brazil in the mix.

Marcos Valle - A Paraíba Não É Chicago
I've been listening to this album non-stop for the past few days and it just doesn't get old. The whole thing is great, without a weak song among the bunch. This is the lead-off track and as you can hear, it's Marcos' version of "Baby, Don't Stop Me" with that exact chorus being sung by Chicago' Peter Cetera. This song and "Sei La" were the only two songs recorded in LA, I'm guessing, before Marcos returned to Brazil to stay and finish the album.

Marcos Valle - Velhos Surfistas Querendo Voar
This is the real sleeper on the album and took a dozen or so listens to really grow on me. This is also the tune that reappropriates the chord-progression from "Rocking You Eternally", but that's about where the similarity with the latter song ends. This song is where the album title comes from too.

Marcos Valle - Não Pode Ser Qualquer Mulher
This is a beautiful tune composed by the duo, with lyrical assistance from Marcos' go-to lyric writer, Paul Sergio Valle (his brother).

Marcos Valle - Bicho No Cio
Before I even knew about the Marcos Valle - Leon Ware connection I got this Brazilian promotional 7" single with four songs and this was one of them. I immediately dug the slow, funky groove and began my search for the album it came from. This is also the second song, like "Baby Don't Stop Me" that both artists did in similar versions.

Leon Ware - Got To Be Loved
Here we have Leon's version of "Bicho No Cio". I love Leon's work throughout his career, so I mean no disrespect when I say that aside from "Rocking You Eternally", I prefer Marcos' versions over Leon's and this song is no exception.

Leon Ware - Somewhere
This is an interesting tune that shows Leon getting into a Brazilian groove unlike any other recording of his I've heard. That would be Flora & Airto on vocals and percussion.

Marcos Valle - Dia D
Here's the last tune in the set, a one-off collaboration in a funky party mode. This album features one other tune with co-writing credits from Leon, but its a pretty mediocre slow-jam. This is a fun song from a seriously under-rated album. Actually, my next post will likely pull the song "Fogo de Sol", which I just discovered is the vocal version of one of my favorite Marcos Valle tunes, "Adam's Hotel" from the Deodato album "First Cuckoo".

Argentinian Fire From Egle Martin

I picked up this rare 7" single in Curitiba, Brazil back in 2004 at a record store run by a very nice dude named Julio. I was buying a fair bit of stuff so he just sorta threw it in as a bonus and because it was a Uruguayan (turns out its an Argentinian record - I could be wrong again but it would appear that Egle's from Argentina, but the band is from Uruguay - correct me if you know differently) record he wasn't even sure what it was worth. It's since become a favorite of mine and a few friends I've shared it with.

But then last night I dropped it in my set at Dalva (word up, Toph One) and it became the clear runaway hit of the night. I'll be scanning the cover and uploading for all to see, but here are the two tracks, both great, but the intro to the first one is so dramatic and jazzy . . . then the smokin' latin beat drops!

Egle Martin - Dombe BariloEgle Martin - El Dombe

There's an Argentine pressing here on eBay.
This is what that eBay seller had to say about the record:
Egle Martin (a.k.a. La Negra) was sorta like La Lupe from the south of the southern hemisphere. She was deeply involved into the Afro-Latin American culture, and especially the underground Uruguayan and Brazilian scene (experiencing the Bossa and Candomble, often with her Brazilian friends, Maysa and Luiz Eca, among others, and skilled Uruguayan musicians). The Dombe was a rhythm inspired by the afro-Uruguayan Candomble, of her own creation, which also mixes American Funk, Boogaloo and Latin Jazz. Dombe Barilo is a KILLER track in its own right, with those fantastic bongo drums, brass sections, horn arrangements, funky bass-n-drums, plus Egle's vibrant manner of singing, with some lush and intense scat vocal in parts. El Dombe, is the track which gives its name to the rhythm, and is equally good. Both tracks have cool lyrics, and they mainly refer to the dance, and this rhythm.

The Count's California Count-Down - Side A & B

UPDATE: Now both sides of the mix are up for your listening pleasure!

Happy Monday, Soul Spectators!

This quick little post is part one two of a mix I made this weekend for some friends who are about to embark on a West Coast Tour. Chris and Dan are gonna be escorting the Taiwanese indie-rock/pop band Won Fu on their first US tour. I was trying to imagine them bopping along the I-5 to some groovy tunes and that was my inspiration. I also wanted to use some of the great interludes from this Sesame Street record I recently copped. Keep in mind that all of the interludes used were put together with David Axelrod's help. Sure, they are not mind-blowing like his normal output, but they're pretty sweet nonetheless.

The Ambassador - The Count's California Count-Down - Side A
The Ambassador - The Count's California Count-Down - Side B

Balanço Brasileiro

There's Baile Funk, Samba Funk, Funky Samba, Brazilian Soul, Roots Samba, Bossa Nova and dozens more sub-genres of Brazilian music that swing, but today we're gonna focus on just that, the SWING. In Brazilian Portuguese, the term is "Balanço". Now, there's no real specific definition of "Balanço" but like the term suggests, its more a feeling, the way a song moves. I think this term became popularized in the early-to-mid sixties when the instrumental Bossa Jazz trios were in swinging in full fore, such as Tamba Trio, Jongo Trio, Bossa Três and many others. These groups were melodic, but they also SWUNG HARD.

Around this time you also have "dance music" purveyors, like Ed Lincoln with his organ and his swinging dance records. One of Ed's main men and occasional vocalist was Orlandivo, who first started recording in the early 60s. He made a couple albums in the early-to-mid sixties and then not another solo record until the 1977 album he did with João Donato (see below). He was a vocalist, percussionist and song writer.

One of Orlandivo's best known songs is featured today in four versions, "Tamanco No Samba". The direct translation means "Clog in Samba", but clog like the wooden shoe, not what's backing up your drain. If someone knows what this is referring to, please chime in. A quick glance at the lyrics suggests the song is about the sound a woman makes when dancing the samba wearing clogs - a bonus percussive element to the samba. Works for me.

Anyways, this is a sleeper favorite from Orlandivo's 1977 album, which is chock full of great tunes and then I found it retitled as "Samba Blim" from the Tamba 4 album of the same name on A&M from 1968. The drummer from Tamba 4, Helcio Milito, often appears alongside Orlandivo on various album credits throughout the years, so I'm guessing they go way back. Next, I heard another cover on the beautiful 70s bossa vocal jazz album Aquarius and then my main man Cal Tjader covered the tune with help from Airto on his "Amazonas" album. And with that, I bring you "Tamanco No Samba."

Tamba 4 - Samba Blim
I picked up their first A&M album "We and the Sea" awhile back but it was when my initial bossa binge was waning, so I failed to appreciate this top-shelf band making full use of the American recording environment. This, their second and final record for A&M (though rumors have it there was a third recorded - the promo single only "California Soul" being from those sessions) is really solid. They were such a versatile band for three (occasionally four) members including the singing bassist, Bebeto. I discovered this tune after knowing and loving the 1977 Orlandivo version and realized it was the same song with a different title, which was not uncommon for US releases of Brazilian tunes.

Aquarius - Tamanco No Samba
This is an extremely rare record that has more than a little in common with the criminally underrated duo of Burnier & Cartier. Cartier is absent on this one, but Octavio Burner and his wife Sonia are all over this and the sound is very similar to their albums and then there are two of their compositions on here. Overall, this is a lovely mid-seventies Bossa Nova album with stunning production. You can download it here from Quimsy's blog.

Orlandivo - Tamanco No Samba
One of the best albums of the 70s for my money. Orlandivo's songs and laid-back vocal style combined with a top-shelf band including João Donato on arrangements. Loronix has the album here.

Cal Tjader - Tamanco No Samba
Cal knew his Brazilian music and on top of that he had Airto produce this mid-seventies outing so you knew he was gonna have the Brazilian beat dialed in to perfection. This joint was recorded walking distance from where I work in Berkeley, CA.